Pandemonium Cheesecake

What do you get when you cross Wire-like guitars, Clash-style aggression, Kinks-esque pop sensibility, a pair of heroin addicts and a midwest girl who wants to rock (and fuck) just like the boys? You get the self-titled debut from The Pretenders. Released in 1980, The Pretenders is a mixture of punk, rock and new wave; bridging the past to the future. Distinctly divided into two halves (remnants of the pre-CD days), side one is where Chrissie Hynde and the boys (guitarist James Honeyman-Scott, bassist Pete Farndon and drummer Martin Chambers) rip through the first seven (of 12) tracks. Everyone from The PIxies to Bikini Kill took notes from this album, cribbing Hynde's disjointed/angry young woman lyrics and swiping Honeyman-Scott's sonic play on guitar. "Precious" is a big piss-off to her old hometown Akron, and a brilliant opening song. One that allows her to drop both the S & F-bombs, a rarity for a major label release from the early 80s. LeBron James

I spent the extra hour last night watching 'Zombieland' instead of listening to records, but at 2am the neighbors usually frown upon a loud stereo, so I decided to make last Sunday 'Record Day'. Van Morrison - Astral Weeks (1968) - Hailed as a classic, this is one of the most unique albums in rock's history despite also being one of the least rock albums. Jazz, folk, blues & classical are all better descriptions for the 8 tracks that make up this song cycle. This is not one of those albums you'll get right away, it may stir emotions upon your first listen, but it needs to be listened to repeatedly as it unfolds. Famously recorded in just three sessions with Van singing and playing guitar in a booth and the rest of the musicians playing live in the studio along with him. Only the strings and horns were added later. Besides Van's stream-of-consciousness lyrics, its the upright bass of Richard Davis that stands out the most, especially on the epic