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Free Records!!

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The Band - Cahoots (1971) The Band's fourth album has more in common with its previous release Stage Fright  (especially lyrically) then its first two albums, but still sounds like the Band. Having departed from the story telling of the first two albums, the themes on Cahoots  are more personal, echoing where the band was at the time. Robbie Robertson was taking over as the main songwriter, taking sole credit on 8 of the 11 songs and co writing two others. The shared lead vocals of Richard Manuel, Levon Helm and Rick Danko are still there, as are the rich textures that Garth Hudson cons from his Lowrey and, as always, Robbie Robertson trying to find a way in with his guitar parts. Cooler than the B-3? Maybe, the beard does help. The lead track "Life Is A Carvinal" is the bands attack on the phony nature of show business. Helm and Danko get their only co-writing credits of the album here along side the Dixieland horn chart from Allen Toussaint. The highlight of...
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The Pretenders, The Pretenders

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What do you get when you cross Wire-like guitars, Clash-style aggression, Kinks-esque pop sensibility, a pair of heroin addicts and a midwest girl who wants to rock (and fuck) just like the boys? You get the self-titled debut from The Pretenders. Released in 1980, The Pretenders is a mixture of punk, rock and new wave; bridging the past to the future. Distinctly divided into two halves (remnants of the pre-CD days), side one is where Chrissie Hynde and the boys (guitarist James Honeyman-Scott, bassist Pete Farndon and drummer Martin Chambers) rip through the first seven (of 12) tracks. Everyone from The PIxies to Bikini Kill took notes from this album, cribbing Hynde's disjointed/angry young woman lyrics and swiping Honeyman-Scott's sonic play on guitar. "Precious" is a big piss-off to her old hometown Akron, and a brilliant opening song. One that allows her to drop both the S & F-bombs, a rarity for a major label release from the early 80s. LeBron James...
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The Kinks, Muswell Hillbillies

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When you think about best bands of the British Invasion you start with the Beatles. After they opened the door, the next two mentioned are The Rolling Stones and The Who. When you get to the next level, things start getting fuzzy. Who's next? The Yardbirds? No. You can probably name more guitarists than songs from the Yardbirds. The Hollies? No. The Zombies? Nope. Hermans Hermits? Who? How about the Kinks? They always seem to be forgotten. Why? For one, they don't have any lasting A+ rock song. Where's their "Won't Get Fooled Again" or "Sympathy For the Devil" or "A Day in the Life"? They also don't have that classic album. In fact, can you name a Kinks album? While their roots are sunk in American blues (like the Stones & the Who), by the time 60s ended the Kinks were running the other way, towards traditional English folk. While the Stones & the Who were recording classic albums ( Beggars Banquet , Sticky Fingers , Who's N...
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